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Product Description
What do we mean when we say that someone is a writer? Is he or she an entertainer? A high priest of the god Art? An improver of readers’ minds and morals? And who, for that matter, are these mysterious readers? In this wise and irresistibly quotable book, one of the most intelligent writers now working in English addresses the riddle of her art: why people pursue it, how they view their calling, and what bargains they make with their audience, both real and imagined.
To these fascinating issues Margaret Atwood brings a candid appraisal of her own experience as well as a breadth of reading that encompasses everything from Dante to Elmore Leonard. An ambitious artistic inquiry conducted with unpretentiousness and charm, Negotiating with the Dead is an unprecedented insider’s view of the writer’s universe.
Amazon.com Review
After having been through the "wash-and-spin cycle" a few times, Margaret Atwood realized that her "own experience in the suds may be relevant to others." Thus was born Negotiating with the Dead, six essays about what it means to be a writer, particularly a female writer. Each essay explores one aspect of writerly contemplation: art vs. commerce; the ideal reader; the separation between the part of a person that writes and the part that lives; and, as the title suggests, the constant presence of those who came before (both writers and other ancestors). Atwood relates her own experiences as a female poet (to be taken seriously, it would have helped to commit suicide) and as a bestselling novelist (whether your books are good or bad, sell well or don't, people will look down at you for it). These are intriguing meditations, with references to works by Virgil, Isak Dinesen, Robertson Davies, and countless others (Atwood's own dead, no doubt). --Jane Steinberg
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